Dominic James Jaeckle
(Assorted Books & Paper Matter)
A press called Tenement
A magazine called Hotel
Dominic J. Jaeckle is an author, publisher, editor and broadcaster. Jaeckle runs & manages Tenement Press, and curated & collated the irregular magazine series Hotel (& its adjacent projects), 2016 to 2023. Jaeckle is at work on a series of “paper planes” under the banner John Cassavetes.
.
As John Cassavetes (in order of appearance) ...
An occasional publication series, the ‘Cassavetes’ titles are a set of books in a sequenced, cumulative thread (named not for the filmmaker’s body of work but for his “kitchen sink” forms of low / no budget production). An occasional assembly of collaborations and experiments; a series of spines entitled Veronica Lake, Walden Pond, & River Phoenix, a ‘Legend of Duluoz’ in which the author argues with varied objects of attention in a borderless field of enquiry; a run of ‘autotelic’ studies of inherited ideas.
1 36 Exposures / A Bastardised Roll of Film
978-1-7393851-4-9 / 2024
390 pp
tenementpress.com/36-Exposures
A collaborative weave of 36 photographs (Hoagy Houghton)
and 36 texts (Jaeckle); a near-novel, a broken love song, an experiment
in a direct and indirect address of ideas in both high and low resolution,
at high and low tide, when the moon is up, and when the sun is near. A
bastardised roll of film. Designed and typeset by Ana Baliza, with an
afterword by Chris McCabe.
Does language need to be reinvented in order to talk? Or even, to see? Dominic Jaeckle thinks so, and provides a compelling, propulsive essay poetry to accompany a year-long suite of pictures by Hoagy Houghton. This twitterverse feed takes philosophy personally, mixmasters it up with best friends and late-night movie simulations. While there are encounters by the galore, and biographical instants dropped like crumbs on a forest walk, the focus here is not on the story, but the lighting, the staging, the choreography of digression. Talk about talking. In these mirrors are reflections of a lost brother, an almost date, an almost self, on the times we used to have, the blood rites we shared until we couldn’t. Black and white photos offer starting points to think about colour. What colour is the memory of brother? The photographs offer shadowy basement creatures caught in the half light, as if the camera wasn’t even there, vacuuming up every decisive moment. Pensive, coiled, we are dropped in the midst of a drama that will need to bury a few Russian philosophers before life can begin again. And coursing through it all this essential belief: that the right painted apple, the right sentence, the right thought: would change the world. The revolution is in the waiting room.
Mike Hoolboom
2 Magnolia or Redbud / Flowers for Laura Lee Burroughs
978-1-7393851-5-6 / 2024
188 pp
tenementpress.com/magnolia-or-redbud
A thread of cut-ups, a paean to William S. Burrough’s mother, anchored
in three works on flower arrangements written for the Coca-Cola
corporation, circa 1940. Designed and typeset by Traven T. Croves, with
accompanying collages by Lucy Sante, and an afterword by David
Keenan.
Magnolia or Redbud is a beguiling, intoxicating mystery garden. In its hothouse alcoves, groves and bosquets, figures and figurations merge into shadowy projections that flit between domestic and psychic scenes. Like cut flowers, Jaeckle’s poems sit in a medium that both nurtures and traps them, formally thwarting their speaker’s quest for secrets and centres. What to do with the floral impulse to locate a centre, when the centre is understood to be a trojan horse filled with market forces, and the alienated variegations of desire? Jaeckle demonstrates how the cut-up’s disruption is also its irrigation, suspending these poems in quiet menace and beauty.
Daisy Lafarge
Jaeckle’s strange homage—is it really?—to William S. Burroughs’s mother Laura Lee takes the form of poetic assemblages that are invariably funnier and more subversive than the language of their anodyne source material would suggest. But this beautifully composed volume also goes beyond the more familiar uses of the cut-up, fashioning an unpredictable array of gifts through its trance-like modalities: These perishable arrangements / are the needle that holds our colder climates together.
David Grubbs
3 Buyer’s Remorse / Forthcoming
As Tenement Press (in order of appearance) ...
Founded in 2021, Tenement Press is an occasional publisher of esoteric, accidental, angular and interdisciplinary literatures in which the poetic and the political intersect; a table of content subdivided into two discrete trains of thought, the Yellowjackets, and No University Press.
The “Yellowjackets” Tenement’s yellow brick road, a sideways resuscitation of Penguin’s abandoned, yellow-topped miscellany series, an effort to win the colour back from cowardice, Tenement’s “Yellowjackets” are a thread of angular and experimental works in English and first-time English language translation. Tenement’s titles are designed and typeset by Matthew Stuart and Andrew Walsh-Lister (under the nom de guerre Traven T. Croves).
1 Joan Brossa, El saltamartî / The Tumbler
Translated from the Catalan by Cameron Griffiths
978-1-8380200-1-9 / 2021
333 pp
tenementpress.com/the-tumbler
Joan Brossa creates distilled excitement. He is both wise and wild. His poems are surreal and matter-of-fact, playful and minimalist and utterly original. In his ability to make it new, Brossa is an essential modern poet.
Colm Tóibín
These gloriously acerbic, droll, at times political poems offer minimalist conundrums that refute solution anddissolution. Joan Brossa’s brilliantly oblique juxtapositions, micro-observations, and deadpan takes on the quotidian are enigmatic without being obscure. El saltamartí / The Tumbler is protoconceptual pantomime: ‘The words are here, whether you read them or not. And nothing on earth can change that.’
Charles Bernstein
2 The Liberated Film Club
(eds.) Stanley Schtinter
with Dominic J. Jaeckle & Jon Auman
978-1-8380200-3-3 / 2021
408 pp
tenementpress.com/liberty
This is a chronicle of addiction, written blindfold by the light of a flickering screen to a soundtrack of Russian roulette loaded against prediction.
Brian Catling
An anthology publication,
featuring contributions from
John Akomfrah;
Chloe Aridjis;
Dennis Cooper;
Laura Mulvey;
Chris Petit;
Mania Akbari;
Elena Gorfinkel;
Juliet Jacques;
Ben Rivers;
Dan Fox;
Sean Price Williams;
Adam Christensen;
Stewart Home;
Stephen Watts;
Tony Grisoni;
Gideon Koppel;
Astra Taylor;
Miranda Pennell;
Gareth Evans;
Adam Roberts;
Tai Shani;
Anna Thew;
Xiaolu Guo;
Andrea Luka Zimmerman;
William Fowler;
Athina Tsangari;
John Rogers;
Shama Khanna;
Shezad Dawood;
Damien Sanville;
& Stanley Schtinter.
3 Yasmine Seale & Robin Moger,
Agitated Air : Poems After Ibn Arabi
978-1-8380200-4-0 / 2022
149 pp
tenementpress.com/Agitated-Air
Antiphonal, intimate and virtuoso, these variations respond to the sense that the interpretation of desires can be endless—it can dance this way and that, and then turn and turn again. The exchange of voices, singing lines that meet and part, pick up on the presence of the lover and the beloved in the poems; as Yasmine Seale and Robin Moger pass each newly wrought phrase back and forth between them, the distance between Seale in Istanbul and Moger in Cape Town is bridged, and so are the centuries that separate us from Ibn Arabi, his motifs, his mystical ascents and descents, and his anguished yearning. This is translation as intrepid and inspired re-visioning, a form of poetry of its own, as forged by Edward FitzGerald, Ezra Pound and Anne Carson.
Marina Warner
A White Review ‘Book of the Year’
4 SJ Fowler, MUEUM / A Novella
978-1-8380200-6-4 / 2022
153 pp
tenementpress.com/M-U-E-U-M
A showcase, ransacked with horrid delight. Fowler’s MUEUM presents the placid, lurid violences of surveillance and exhibition with startling and brutal stylishness. A seething triumph.
Eley Williams
A book as powerful, monumental and strangeas Alasdair Gray’s Lanark in miniature.
Joanna Walsh
Shortlisted for the Republic of Conciousness Prize for Small Press 2022
5 Jeffrey Vallance, A Voyage to Extremes /
Selected Spiritual Writings
978-1-8380200-5-7 / 2022
705 pp
tenementpress.com/spir-i-tu-al-selectric
Jeffrey Vallance is our Philip Marlowe, quite literally our private eye, with a private vision of pied beauty and sacred banality that extends to the horizon.
Dave Hickey
Jeffrey Vallance is one of the world's most original, thought-provoking and entertaining writers on visual culture—his essays are works of art in themselves.
Ralph Rugoff
6 Kyra Simone, Palace of Rubble /
Stories, with photography by John Divola
978-1-8380200-7-1 / 2022
170 pp
tenementpress.com/palace-of-rubble
Like traditional methods of salting, pickling, drying, and smoking, Palace of Rubble saves transitory substance from expiration. From the stuff we unfold in the morning and throw in the recycling bin at night, Simone coaxes the rhythms of cyclical life, the patterns and variations on patterns that define the sphere of the daily, that baseline on which extraordinary events and crises exert their pressure.
Alexandra Kleeman
Majestic flights of fancy spun around ravaged landscapes and savage realities, these are remarkable prose poems for the 21st century.
Chloe Aridjis
7 Pier Paolo Pasolini, La rabbia / Anger
Translated from the Italian by Cristina Viti
with an introduction by Roberto Chiesi,
& an afterword by John Berger
978-1-8380200-8-8 / 2022
170 pp
tenementpress.com/La-rabbia
Pasolini’s poems thrive with passion and outrage. A 20th century Dante, he grieves at inequity, feels disgusted by corruption, and wails against the evil that people do. Pasolini doesn’t render a coming paradise, but contests hate with love, meanness with generosity, and through the reality of his beautiful poems, suggests the possibility of creating a better world.
Lynne Tillman
‘Today,’ we read in La rabbia, Pasolini’s remarkable set of poems composed in 1962 to accompany his film by that title, ‘only four thousand subscribers have televised moving images in their homes; in a year they will be in the tens of thousands.’ And then the poet corrects the line: ‘No—in their millions. Millions of candidates for the death of the soul.’ Sixty years later, in the age of TikTok and Instagram, those ‘candidates’ may well be in the billions. Indeed, what gives La rabbia its uncanny accuracy is that its vision, however exaggerated and extreme, might well characterise our own moment in history. Not only ‘in my country, my country that’s called Italy’ (Pasolini’s refrain), but all over the world, the ‘noble’ solutions of the late 1940s and ‘50s, with their UN charter, their Marshall Plan, and their call for No More Wars, now seem to have been little more than Band-Aids that left things pretty much as they were. Whether he is dealing with the failed Hungarian Revolution or the Algerian War, or with the ‘new problem [that] breaks out in the world. It is called colour,’ Pasolini sees the real enemy as normality—the normality or qualunquismo that accepts things as they are. In Cristina Viti’s excellent translation, Pasolini’s anger would be devastating, were it not for the proviso that poetry can change consciousness. It is poetry, La rabbia insists, that provides the counterweight to the darkness that surrounds us.
Marjorie Perloff
Pasolini saw what was coming, and saw the poet’s mission as an excoriation of this world to come, that has now arrived. His tremendous energy was not negative. It came from an abounding love of the world. Picturing himself like a hero from ancient days, he struggled mightily, in and against the powers arrayed against life. What he called neocapitalism already came with its own brands of neofascism. Good comrade that he was, he knew the mark of our enemies, and where to direct his rage. Here we find him in a moment when he thought the good fight might still be won. A book to give us courage.
McKenzie Wark
8 Reza Baraheni, Lilith / A Novella
with paintings by Oliver Bancroft,
& an afterwork by Stephen Watts
978-1-8380200-9-5 / 2023
140 pp
tenementpress.com/Lilith
[Baraheni’s] vision was not confined to Iran. He was instrumental in having the wording of charter of PEN International changed to make it more universal. Its first words used to be: “Literature, national though it may be in origin, knows no frontiers and must remain common currency among people in spite of political or international upheavals.” He proposed deleting the words, “national though it be in origin.” That simple yet profound change was approved at the 2003 PEN Congress in Mexico City, the first change to the document since it was agreed to in 1948. The revised Charter now reads: “Literature knows no frontiers...”
Haroon Siddiqui, former president of PEN Canada,
in tribute to Baraheni on his death in 2022, PEN International
9 Dolors Miquel, El guant de plàstic rosa / The Pink Plastic Glove
Translated from the Catalan by Peter Bush
978-1-7393851-0-1 / 2023
143 pp
tenementpress.com/Dolors-Miquel
The Pink Plastic Glove is language fighting for its life, or more appropriately, for its death. It points to what lies beyond language in a way that opens onto the archaic, and in a way that makes you gasp. Dolors Miquel is the grand disappearer of words, with a style so lucid, and savage, that it makes tangible the invisible behind words and the long blank at the end of meaning without ever losing faith in the power of language to do exactly that. I’m struggling to say exactly what the experience of reading this book feels like, which is exactly the effect of this supremely discomfiting book, to be in the un-worded presence, through words themselves, of the sacred. The Pink Plastic Glove is a supreme act of faith and despair.
David Keenan
Erotic, caustic, uncompromising, alive... Dolors Miquel's poems are a pulsating delight.
Nadia de Vries
A translation supported
by the Institut Ramon Llull.
10 Stanley Schtinter, Last Movies / ‘A Book of Endings’
with programme notes from Erika Balsom,
an intermission from Bill Drummond,
& an afterword by Nicole Brenez
978-1-7393851-1-8 / 2023
324 pp
tenementpress.com/last-movies
All films are haunted, both by the immortal light of the sooner-or-later dead that they curate, and by the filaments of meaning they extrude into unscripted human lives. Last Movies is an unexpectedly revealing catalogue of final interchanges between imminent ghosts and counterpart electric spectres on the screen’s far side. Profound and riveting, Schtinter’s graveyard perspective offers up a rich and startlingly novel view of cinema, angled through cemetery gates before the closing credits. A remarkable accomplishment.
Alan Moore
Wade more than a dozen pages into Last Movies and these connections start to reveal themselves like constellations on a cloudless night.
Ryan Gilbey, The Guardian
Ø Seven Rooms / Assorted Materials from a Paper Hotel
(eds.) Dominic J. Jaeckle & Jess Chandler /
Tenement Press & Prototype Publishing
978-1-913513-46-7 / 2023
446 pp
tenementpress.com/Seven-Rooms
“A hotel is defined by its inhabitants,” runs Hotel’s tagline. If Hotel itself were a concrete edifice, it would be more like Fear and Loathing in Las Vegas’s Circus-Circus than the Grand Budapest, despite its tasteful, clean exterior. Its commitment to “new approaches to fiction, non-fiction and poetry” promises all manner of havoc. It is not the only journal committed to literary innovation, but it is among the best.
Camille Ralphs, The Times Literary Supplement
Once a magazine, now an anthology, a selection, a condensing, a celebration, a feast, call it what you will, for this volume takes on different forms in the eyes of each reader.
Paul Buck
An anthology publication,
featuring contributions from
Mario Dondero;
Erica Baum;
Jess Cotton;
Rebecca Tamás;
Stephen Watts;
Helen Cammock;
Salvador Espriu;
Lucy Mercer;
Lucy Sante;
Ryūnosuke Akutagawa;
Ryan Choi;
John Yau;
Nicolette Polek;
Chris Petit;
Sascha Macht;
Amanda DeMarco;
Mark Lanegan;
Vala Thorodds;
Richard Scott;
Joshua Cohen;
Hannah Regel;
Nick Cave;
Daisy Lafarge;
Holly Pester;
Matthew Gregory;
Olivier Castel;
Emmanuel Iduma;
Joan Brossa;
Cameron Griffiths;
Imogen Cassels;
Hisham Bustani;
Maia Tabet;
Raúl Guerrero;
Velimir Khlebnikov;
Natasha Randall;
Edwina Attlee;
Matthew Shaw;
Aidan Moffat;
Lesley Harrison;
Oliver Bancroft;
Lauren de Sá Naylor;
Will Eaves;
Sandro Miller;
Jim Hugunin;
Levina van Winden;
Aram Saroyan;
Glykeria Patramani;
Will Oldham;
Antonio Tabucchi;
Yasmine Seale;
Elizabeth Harris;
Nina Mingya Powles;
Isabel Galleymore;
Jason Shulman;
Jeffrey Vallance;
Preti Taneja;
Stanley Schtinter;
Wayne Koestenbaum;
Sophie Seita;
Ralf Webb;
Jonathan Chandler;
Iain Sinclair;
SJ Fowler;
Cass McCombs;
David Grubbs;
Agustín Fernández Mallo;
Pere Joan;
Thomas Bunstead;
Adrian Bridget;
John Divola;
& Gareth Evans.
11 Mario Benedetti, El cumpleaños de Juan Ángel / Juan Ángel’s Birthday
Translated from the Spanish by Adam Feinstein
978-1-7393851-2-5 / 2024
317 pp
tenementpress.com/Mario-Benedetti
It’s extremely difficult to find a poem which fulfils the condition of a novel and a lyrical text without betraying both. El cumpleaños de Juan Ángel achieves this feat through experimental verse. It’s an extraordinary river-poem in which, without abandoning the nucleus of poetic art, Benedetti takes the genre of militancy and the pamphlet a step further. As if a true Ovid’s Metamorphoses, or Kafka’s Metamorphosis, the protagonist passes through different stages as revolutionary as they are imbued with a biblical, epic quality. It is so fortunate for all those discerning English-speaking readers that this book is now published.
Agustín Fernández Mallo
12 Edwina Attlee, A great shaking
978-1-7393851-8-7 / 2024
142 pp
tenementpress.com/Edwina-Attlee
This profoundly exciting debut explores the complicated embodiments, politics and emotions of domestic life through the prism of the turning year. Attlee draws subtly luminous images from mundane, ordinary life—I pat her gloves with apricot foam / blow bubbles in the dusk / with liquid from the pound shop—allowing us to see the vivid, electric power of moments to which familiarity usually blinds us. At the same time, she is always aware of the vexed inequalities of family, time, class and gender—joy unfurls from coupledom and a shared bank account / watch out or the big horse trudges on your head. Her writing about childrearing is painfully tender yet radical: they pack him differently at the nursery … am I letting them snuff it out / the little yellow flame. In this beautiful, funny and innovative book, an important new poetic voice has emerged.
Rebecca Tamás, The Guardian
13 Giovanbattista Tusa, Terra Cosmica / Traces of Georealism
978-1-7393851-9-4 / 2024
175 pp
tenementpress.com/Terra-Cosmica
Giovanbattista Tusa finds the words that won’t fill the disquiet and the terror of the illegible revolt of the elements against our way of production. The fury of climate deregulation and the ecological crisis have a history and a foreseeable future that we now must become acquainted with. This book is a magnificent tool to help us begin to accomplish the most urgent task of contemporary humankind: the only one that can save us.
Claire Fontaine
14 Chris McCabe, Dreamt by Ghosts /
Notes on Dreams, Coincidence, & Weird Culture
978-1-917304-00-9 / 2024
361 pp
tenementpress.com/Dreamt-by-Ghosts
Radically exciting, this text has Beckett and Shakespeare, and all of Poe’s possibilities. As would Derrida, Dreamt by Ghosts leads you toward more and more... In no way can I sum up how remarkable is this ghostly manuscript, and how delighted and in fact privileged I am to have been able to read it, with all its illuminated pauses and twists.
Mary Ann Caws
15 Lucy Sante, Six Sermons for Bob Dylan
with an intoduction by the author,
& an afterword by Greil Marcus
978-1-917304-01-6 / 2024
74 pp
tenementpress.com/Six-Sermons-for-Bob-Dylan
What the world needs now are these conjured sermons from the always brilliant mind of Lucy Sante. In these rollicking and clarifying exhortations, she urges us to find the good and the God in everyone. We look inward, see how we have faltered, and discover our humanity. What is so refreshing is the call to love all of us: the fallen, the fools, the forgotten.
Dana Spiotta
16 Wadih Saadeh, A Horse at the Door
Translated from the Arabic by Robin Moger
with an afterword by Youssef Rakha
978-1-917304-02-3 / 2024
169pp
tenementpress.com/Wadih-Saadeh
Reading Wadih Saadeh, in this inspiring translation by Robin Moger, one finds oneself entering the aftershocks of an imagination devastated by war and the deep internal and external exiles that follow such destruction. His poetry, loose and open—attentive and philosophical—lives in the remnants of what is left, of what survives to tell its tales, in both short-form, slightly surreal parables, and longer autobiographic tracings. It speaks of dust, of being dust, of stones talking to stones, of separated limbs and shadows walking their own way, clinging to shapes, of being water, of being rubble, new languages learnt, friendships, and tobacco at the source of a breath. Of travelling without arrival. Of moving without settling. As though one is forever seeking to settle but one doesn’t know how, or into what form. In the end, the poet settles on passing, and finds aliveness in its slightest movements. Like passing one’s hand through one’s hair, as he does it in the closing sequence of his ground-breaking poem from the Lebanese civil war. An extraordinary and painfully timely collection.
Caroline Bergvall
(Forthcoming from the Tenement Wheelhouse.)
17 Milo Thesiger-Meacham, Audible Heat / An Essay
tenementpress.com/audible-heat
18 Steven Zultanksi, Help
tenementpress.com/Steven-Zultanski
19 Batool Abu Akleen, 48Kgs / Poems
Translated from the Arabic by the poet,
with Graham Liddell, Wiam El-Tamami,
Cristina Viti & Yasmin Zaher
tenementpress.com/Batool-Abu-Akleen
20 Sharon Kivland, Envois / The Complete Correspondence :
Love Letters from Jacques Lacan to Sharon Kivland,
MCMLXXIII-MCMLXXXI
tenementpress.com/Sharon-Kivland
21 Alix Chauvet, Cylamen : Poems After Baudelaire
tenementpress.com/Alix-Chauvet
No University Press An imprint from Tenement, publishing argumentative work of any field, so long as it is also work that strives beyond its field; work possessing a presentist enthusiasm that works beyond the policies of enclosure that define and underwrite the mission of academic publishing.
1 Radical Translation Workshop, An Anarchist Playbook
(eds.) Sanja Perovic,
Rosa Mucignat,
Jacob McGuinn,
& Cristina Viti,
with Dominic J. Jaeckle
& Benjamin Pickford
978-1-7393851-3-2 / 2024
247 pp
tenementpress.com/An-Anarchist-Playbook
An Anarchist Playbook is an excavation of future thinking. In its radical mode of communal translation, it recovers equally radical political energies.
Adam Thirlwell
An Anarchist Playbook is an essential collection of works that were the roots from which all later revolutionary ideas grew. Skillfully translated and beautifully designed, it belongs in every radical’s library.
Mitch Abidor
These voices from the French Revolution, whether in the form of manifesto, letter, song, or play, ring out for us in the twenty-first century as if they are our contemporaries. And they are! Never did the principle of equality formulated in so many grand constitutions and declarations sound so hollow. Never was it more urgent for the majority to defy the tiny minority that holds power and achieve proper equality for themselves. These remarkable texts in translation speak to the courage, humour and lucidity that is needed. The crowned heads of Europe and the Pope marooned on an island fending for themselves! Just imagine!
Peter Bush
2 Maria Sledmere, Midsummer Song / Hypercritique
978-1-7393851-7-0 / 2024
469 pp
tenementpress.com/Midsummer-Song
Midsummer Song intermingles a lodestar of potent poetic sources into a lyric architecture which refuses to be singular in form or bound by convention. This book is plural—at once an elegy for our world—and also—seance and party you won't want to miss. Your tools, dear reader, include countless luminary texts, summer light while it lasts, meadows, cinders, glass, and clairvoyance. Can the poet be everywhere? If nuance is purple and writing is light, this book may convince us that dream space is the necessary elixir to take with us into impermanence, bursting with everything in the world, an ecstatic catalogue and a devastated delirium. Like Christensen's alphabet, this book at once beams and cautions—like a horn of plenty spiraling out from the ear of Athena, a cornucopia of Sledmere's poetic powers. No other poet can make me feel giddy at the end of the world, gorgeous with intimate tears and flight. Descendants of Bernadette Mayer rejoice—now at long last we can dream not only the winter's dark but also in summers blindingly bright. Like when we climb into the red- / threaded spiderweb / of another plague year / and we activate the starlight / stimulus package / in thermotaxis.
Laynie Browne
(Other) Collaborations & Ephemera ...
• with Benjamin Pickford,
The Paintgrinder : Ralph Waldo Emerson & Karl Marx
on a Horizon of Thought
(see here), ℅ a journal called Capitalism / Penn Press
• with Nadia de Vries,
Verse & Chorus : A radio work, a sonic collage ...
Featuring an assembly of verses (de Vries & Jaeckle) amidst a patchwork quilt of borrowed noises (& a score by Matthew Shaw, & accompaniment from Mark Lanegan & Duke Garwood); with readings by Nadia de Vries, Diamanda La Berge Dramm, Cíntia Gil, Mark Lanegan, Stanley Schtinter, Becket Flannery, & Vilde Bjerke Torset.
See Spotify ...
dominic.james.jaeckle@gmail.com
editors@tenementpress.com
+44. (0)7532 128558
@dominic.james.jaeckle
@tenementpress
Tenement Distribution
℅ Asterism Books
568 1st Avenue South, Ste 120
Seattle, WA
USA, 98104
asterismbooks.com/publisher/tenement-press
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