^05/2019   _{‘The Complicated Rings of Saturn’
                 A commissioned text to accompany two paintings by Harley Lafarrah Eaves;
                 for an online exhibition called ‘B-Sides’
                 Rick Banger Gallery (rickbanger.com)}
^02/2019    _{‘On Entertainment: The Lassitude of D.H.L’s Dead Novel,’  
                 —D.H. Lawrence: Technology & Modernity,  pp. 203-217.
                 (ed.) Indrek Männiste (London; New York: Bloomsbury, 2019)}
^01/2019    _{‘(I’m Looking for a Model for a Novel called) Public Domain’
                 A reading (by Jon Auman) of the monologue in full;
                 broadcast on Resonance 104.4FM’s ‘New Works for Radio’}
^02/2018    _{‘Middleman’                                                                                    
                 —A Void (Morbid Books, 2018)
                 From I’m Looking for a Model for a Novel called Public Domain}
^12/2017     _{Review 31 Fiction Roundup, 2017.
                 —On Sam Riviere’s Safe Mode (Test Centre, 2017).}
^09/2017    _{‘The Ape of Intimation: A Fay Wray for every King Kong,’
                  —Cob Gallery & Studio, London                                            
                 Catalogue Essay— ‘Jason Shulman: Some Works’ (29.09.17—21.10.17);}
^09/2017    _{‘Bad Science’
                  —Cob Gallery & Studio, London
                An interview with Jason Shulman, first published in Hotel;}
^04/2017    _{‘In Defense of Richard Kelly’s Southland Tales (2007),’
                  —Little White Lies                                                                            
                  Published on the occasion of the film’s 10th Anniversary;}
^12/2016     _{Review 31 Fiction Roundup, 2016.
                 On Alejandro Zambra’s Multiple Choice (Granta)}
^11/2016     _{‘American Caesar’
                Some Associative Notes on Springsteen in a Big Sedan,
                —Minor Literature[s]}         
^11/2016     _{‘Writing Letters to Lew’
                —Minor Literature[s]
                —Cherry & Martin Galleries, Los Angeles, CA)
                 A faltered-interview  “photo-conceptualist” Lew Thomas.}        
^08/2016    _{‘Four Remarks of Color & A Yellow Crescent Moon’
                —Centre for Contemporary Arts, Glasgow, Scotland    
                A comissioned prose-poem recorded for live radio-broadcast;
                For Radiophrenia 
                Comissioned by Hoagy Houghton}
^07/2016   _{‘Fallen to the Rank of Adjective: On Benjamin Fondane’
                —3:AM Magazine
                On two new translations of old works by Benjamin Fondane:
                Cinepoems & Others (New York Review Books, 2016)
                Existential Monday (New York Review Books, 2016);}
^07/2016    _{‘Avenue Montaigne,’
                —Minor Literature[s]  
                From I’m Looking for a Model for a Novel called Public Domain;}
^03/2016    _{‘The Reverse of Don Quixote,’
                —Nexus: The International Journal of Henry Miller Studies,
                Vol. XI., pp. 133-149.
                (ed.) J. Decker,} 
^02/2016    _{‘Poor Quartets,’
                —3:AM Magazine
                  On Thomas Bernhard’s Goethe Dies (Seagull Books, 2016);}       
^12/2015     _{‘I Can Only Speak for Myself,’
                —3:AM Magazine
                  On Robert Walser’s Looking at Pictures (New Directions, 2015);}
^12/2015     _{Review 31 Fiction Roundup, 2015.
                   On Nathalie Léger’s Suite for Barbara Loden (Les Fugitives)
.}^12/2015    _{‘Vicarious Autobiography’
                 —Review 31
                 On John Berger’s Portraits, ed. Tom Overton (Verso, 2015);}
^10/2015    _{‘Kant’s Tulips / Clarice’s Mystery,’
                —Review 31
                 On the Complete Stories (New Directions, 2015)}
^09/2015    _{‘Showing & Telling: Penetrating Fantasy,’
                 —3:AM Magazine
                 On Brandon Hobson’s Desolation of Avenues Untold (CCM, 2015)}
^07/2015    _{‘Signalling Posterity: The Fiction Writer’s Journalism,’
                 On Edouard Levé’s Newspaper (Dalkey Archive Press, 2015);}
^12/2014     _{‘A Theatre of Others,’
                 On Simon Critchley’s Memory Theatre (Fitzcarraldo Ed.,, 2014)}
^10/2014     _{‘Polymyth x. Miss Information,’
                 —Autoitalia, London
                Miss. Information; a multiple-personality, written by...
                Ingo Niermann +
                Mercedes Bunz +
                Lucy Chinen +
                Shama Khanna + 
                Mary Margaret Rinebold + 
                Michael Schindhelm + 
                Jenna Sutela + 
                & Zing Tsjeng. 
                (Soudtracked by Pierre LX)
                The exhibition was curated by Autoitalia & Justin Jaeckle;
                Works by April Greiman +
                Pablo Jones-Soler +
                Metahaven +
                Holly Herndon +
                Pinar & Viola.}                                                                          
^03/2013    _{‘Wild Rabbit: Henry Miller’s Ekphrastic Anxiety,’
                —Nexus: The International Journal of Henry Miller Studies,
                Vol. X., pp. 3-31, (ed.) J. Decker} 
^03/2012    _{‘The Cosmological Eye & the River Through,’                            
                —Nexus: The International Journal of Henry Miller Studies,
                Vol. IX., pp. 65-81, (ed.) J. Decker} 
^11/2011      _{‘Goodnight you Dogs’ [EP]
                —Four sentimental songs, released digitally by A Future Without}

---

Research, Readings, Screenings & Programming, et Cetera... 



^06/2019     _{‘Afterlife of the Object’
                 —European Summer School in Cultural Studies
                 Convened by Carol Mavor & Rune Gade
                 ‘(I’m Looking for a Model for a Novel called) Public Domain’
                 Soundwork & Seminar
                 —University of Copenhagen}
^o6/2019    _{The Balassi Institute Hungarian Literature Series: Attila József
                 —A collage reading from the Hotel Cordel / ‘A House on Fire’
                 (with Serena Braida & Han Smith)
                 —The Hungarian Cultural Instute, London}
^05/2019     _{‘All Day Long I Feel the Tide Rocking’
                 —A response to the works of Erich Fried
             —A commissioned piece for the Illuminations series 
                (VI): Celebrating Seven Anglo-Austrian Writers of the Twentieth Century
                —Austrian Cultural Forum, London}
^02/2019   _{‘January 1st’
                — A collaborative photo-text by D. Jaeckle & H. Houghton 
                ‘Phoetry/Poetography/Photographic Literature’ [An Exhibition]
                —The Museum of Futures, Kingston Writer’s Centre, London
                 —A group show curated by SJ Fowler + 
                James Caley +
                Marcia Knight Latter +
                Yvonne Litschel +
                Olga Kolesnikova.
                [February 21st to March 5th 2019]}
^02/2019    _{‘Speech Acts for Resonance’
                —Reading ‘I’m Looking for a Model for a Novel Called Public Domain’
                A fundraiser for the radio station Resonance 104.4FM
                —Iklektik Art Lab, London
                —Readings from Rachael Allen +
                Edward Doegar +
                Rakaya Esime Fetuga +
                Liliane Lijn +
                Abondance Matanda +
                Martha Sprackland +
                Tony White} 
^01/2019    _{‘Literary Laboratory’
                —Agustín Fernández Mallo, Thomas Bunstead & Isabel Waidner
                Readings & a roundtable;
                Hotel (with The Goldsmiths Writer’s Centre & Goldsmiths Prize)
                Goldsmiths College, University of London} 
^11/2018    _{On ‘Hotel’
                —Lecturette and Seminar Discussion
                University of Nottingham, Nottingham}
^05/2018   _{‘Fictions’—Adrian Bridget in Conversation
                —In conversation with the author,
                following readings from his Texts that shouldn’t be Read Out Loud
                South London Gallery, London}
^12/2017     _{‘Chasing America: American Art & Text’
                —‘Real Estate: Place & Possession in the Thoreauvian Wild’
                 Video Essay
                The Courtauld Institute of Art, London}    
^11/2017    _{‘Borders of the Visible:
                Intersections between Literature & Photography’
                —‘Real Estate: Place & Possession in the Thoreauvian Wild,’
                Video Essay
                Centro Arti della Modernità, Turin}  
^10/2017    _{‘H.D. Thoreau from Across the Pond’
                —‘Real Estate: Place & Possession in the Thoreauvian Wild,’
                Video Essay
                École Normale Supérieure de Lyon}
^08/2017   _{Hotel, Little Island Press & Locomotrix present...
             ‘Gordon Lish in a Little Island Hotel’
                —Readings to launch Lish’s White Plains: Pieces & Witherling
                Claire-Louise Bennett, Will Eaves & David Hayden;
                & a pre-recorded lecturette from Gordon Lish.
                Chaired by David Winters
                Housman’s Radical Booksellers, London}
^06/2017   _{‘Ecology, Economy, & Cultures of Resistance’    
                —‘Reebok Classic: A Short Film about Emersonian Inequality,’
                Video Essay
                IASH, University of Edinburgh}
^02/2017    _{‘The Billboard Hot 100’
                 —A one-day installation of projected poetry.
             With the artist Joshua T. Howell, for the group show G-Cadd #9
                Granite City Art & Design District, Granite City, IL, U.S.A.}
^01/2017    _{‘Visual Pleasure(s): Acts of Looking in Critical Cultures’
              —A day of papers and screenings on the works of Laura Mulvey
                Organiser & Chair 
                Keynote: Laura Mulvey
                Screenings:
                ‘Amy!’ dir. Laura Mulvey & Peter Wollen (1980) +
                ‘Crystal Gazing,’ dir. Laura Mulvey & Peter Wollen (1981)
                [Introduced by Laura Mulvey and Oliver Fuke]
                 Goldsmiths College, University of London}
^11/2016    _{On ‘A Handful of Dust’
                 —David Campany in discussion
                 Organiser & Chair
                 Goldsmiths College, University of London}
^09/2016   _{‘Riddles of the Sphinx,’ dir. Laura Mulvey & Peter Wollen (1977)
             —A screening, introduced by Laura Mulvey
                 [for Goldsmiths Literature Seminar/Curzon Goldsmiths]
                 Organiser & Chair}
^06/2016   _{‘Film Philosophy ‘16’
                —‘Three Iterations of an American Tragedy’
                Video Essay
                University of Edinburgh}
^04/2016    _{‘Art—Money—Crisis’
                —‘The Cultural Logic of Capital: Emerson, Literature & Circularity,’
                A collaborative paper presentation with Benjamin Pickford
                CRASSH, University of Cambridge}      
^04/2016   _{BAAS/IAAS Annual Conference, 2016         
                —‘The Singer Outdistances the Song: Emerson’s Ready-Made,’
                Video Essay/BrANCA Panel
                Queen’s University, Belfast}
^03/2016    _{Questions of Scale in Contemporary Criticism
                —‘Cultures of Efflux: Emerson’s Critical Paleonomies’
                   Ghent University, Belgium}
^11/2015     _{BrANCA Annual Symposium    
                —‘Emerson’s Awkward Imitation’   
                 ‘Capital’ Panel
                University of Warwick}                                                                       
^04/2015   _{BAAS Annual Conference
                —‘How do you Contain Yourself? Emerson’s Photometry’,
                Video Essay/BrANCA Panel 
                University of Northumbria, Newcastle}
^03/2015    _{Lit Live, at The Peckham Pelican
                —Readings from I’ll be Stahr and You be Kathleen}                   
^09/2014    _{‘A Gob of Spit in the Face of Art,’
                —‘Thoreau was an Atlas or Responding to the Hummingbird’,
                Video Essay
                Goldsmiths College, London}                                                    
^09/2014   _{‘The Expanded Lyric’
                —‘A Canary in the Mine: Marilyn Monroe’s Biographic Poetics’
                Queen’s University, Belfast}


                           
                                                                                

---

Editorial



<sub>^xx/2019       Nights of Passed Over II—The Later Lyrics of Mark Kozelek
               —Editor—forthcoming  

^07/2018        Project Editor
               —Architectural Association, London</sub>  

---

Hotel

<sub>partisanhotel.co.uk
—‘A magazine for new approaches to fiction, non-fiction and poetry.’



Co-Founder, Co-Editor — Online & Print—with Jon Auman & Thomas Chadwick

The Paper Hotel

An occassional pubilcation collating new, extant and excerpted writings in a run of paper “rooms”</sub> 


^02/2019   <sub>‘Hotel #5’
               
1.    Isabel Galleymore, Two Poems
       i.            ‘Spirit Animal’
       ii.           ‘The Future Tense Expresses a State that Does Not Yet Exist’
2.    Aidan John Moffat, ‘Timeshare’
3.    Georgia Haire, Two Poems
       i.           ‘Washed Up’
       ii.          ‘Dark Meat’
4.    Hélène Fréderick, trans. Jacob Siefring, ‘Tooth & Nail: A Credit History,’
5.    John Divola, ‘As Far as I Could Get,’
6.    Ralf Webb, Two Poems
       i.           ‘Now I Really Am O.K.’
       ii.          ‘Travelling Alone is my Favourite Sickness’
7.     Ryūnosuke Akutagawa (芥川 龍之介―澄江堂主人),
       trans. Ryan C.K. Choi, ‘In Karuizawa’ (circa 1925)
8.    Carla Maliandi, trans. Frances Riddle, ‘vreadthecastlesbeautiful’
9.    Jenny Hval, trans. Marjam Idriss, ‘The Lighthouse’ 
10.   Noémi Lefebvre, trans. Natacha Lasorak & Sophie Lewis,
       ‘Doubts About Debt’
11.   John Holten & Jonathan Monk,
      ‘A Number of Points Randomly Connected...’
12.   Rachel Kass, ‘Babi Yar’
13.   Nicolette Polek, ‘The Rope Barrier,’
14.   Raul Guerrero, ‘Menu of the Future’
15.   Daisy Larfarge, ‘Throttle Song’
16.   Joshua Cohen, ‘(Nine Notes from) A Diary’
17.   Jack Underwood, Three Poems (after Mascha Kaléko)
       i.           ‘Lovesong for Mascha’
       ii.          ‘In Mascha’s Room Plus Melancholy’
       iii.         ‘Last Song Mascha’
18.   Stanley Schtinter, ‘We Have Come to Let You Out’
19.   Lucy Mercer, Four Poems
        i.            ‘Chirologia’
        ii.           ‘Divination’
        iii.          ‘Demiurge’
        iv.           ‘Zero’
20.  Ariana Reines, A piece of ‘Miss St’s Hieroglyphic Suffering’
21.   P. Adams Sitney, ‘The Narrative Voice of Moby-Dick’
        —A Distillation of Prof. Meanie’s Discourse
22.   John L. Saul, ‘Not Being Leonardo Da Vinci’ 
23.   Jeffrey Vallance, a scatological eschatology called ‘Holy Shit!’
24.  Sophie Seita, an excerpt from a work-in-progress called ‘The Gracious Ones’ 
       —A Philosophical Ballet in Pieces    
25.  Agustín Fernández Mallo, trans. Thomas Bunstead,
      (illustrated by Pere Joan), ‘That’s It?’
26.  SJ Fowler & Iain Sinclair, ‘(After) Animal Drums’
      & an epigram by photographer Sandro Miller

       (eds.) J. Auman, T. Chadwick and D. Jaeckle</sub>


^05/2018   <sub>‘Hotel #4’
               
1.    Rebecca Tamás, St. Joan in Idaho’
2.    Luc Sante, ‘Dear Messiah’
3.    John Yau, ‘Fortunes, Favorite Sayings & Assorted Sundries’
4.    David Kishik, ‘Terms of Service’
5.    Scott McClanahan, ‘Sarah #3’
6.    Pascal Richmann, trans. Amanda DeMarco, ‘Smoke of the World’
7.     James R. Hugunin, ‘(Verbal Translations of) Famous Photographs’
8.    Nona Fernández, trans. Ellen Jones, ‘Mapocho’
9.    Jason Shulman, ‘Bad Science’ (the Artist in Conversation)
10.   Bill Callahan, ‘Thirteen Letters to Emma’
11.   Oliver Goldstein, ‘The Virgil Hunter Love Sequence’
12.   Leah Sophia Dworkin, ‘Tuesday at Six?’
13.   Vala Thorodds & Richard Scott, ‘Come (after Paul Verlaine)’
14.   Iris Smyles, ‘Phillip & Penelope in a Variety of Tenses’
15.   Serena Braida & Livia Franchini, ‘Three Reactive Poems’
         i.        ‘On Complicity’
         ii.       ‘Cha-Cha’
         iii.      ‘Your Mouth’
16.   Veronica Scott Esposito, ‘Rothko Chapel’
17.    Daniele Pantano, ‘Twilight of the Poet’
18.   Hisham Bustani, trans. Maia Tabet, ‘Quantum Leap’
19.   Carol Mavor, ‘Like Water in Water’
20.  Mark Kozelek, ‘Yellow Kitchen’
21.   David Lowery, ‘A Housewarming Party’
22.   Joanna Rafael Goldberg, ‘Moonlet’
       & an epigram by “Britain’s Most Isolated Cartoonist,” Jonathan Chandler

       (eds.) J. Auman, T. Chadwick,  J. Dunn and D. Jaeckle</sub> 


^06/2017   <sub>‘Hotel #3’
                
1.     Martin Jackson, ‘It’s really very easy to do these days...,’
2.     Nick Cave, ‘Four Cities: Selections from The Sick-Bag Song’
3.     Duncan White, ‘After the Crash’
4.     Juliet Escoria, ‘West Virginia to New York’
5.     Jasmine Parker, ‘Mass-Produced Poetry’
6.     Hanya Yanagihara, in conversation with Holly Brown
7.     Kim Sherwood, ‘Travelling in Grey Space’
8.     Gordon Lish, Four Stories
         i.       ‘Didn’t we just Hear Something Humanish Fall?’
         ii.      ‘Joke-Time, or that other word, Jape’
         iii.     ‘Make Night: Heidegger’
         iv.      ‘Bamford or Bust!’
9.     Rowan Evans, Four Poems
         i.        ‘Ithaca’
         ii.       ‘Seventy Two’ 
         iii.      ‘Tourist Song’
         iv.       ‘Hyrule Theory’
10.   Owen Booth, ‘The War’
11.    Frederic Tuten & José Antonio Suárez Londoño, ‘July’
12.    Imogen Reid, ‘Waiting Rooms’
13.    Mark Kozelek, ‘Common as Light and Love are Red Valleys of Blood’
14.    Jack Robinson, ‘Eternal City’
15.    Aram Saroyan, ‘Initiator’  
        & an epigram by artist Olivier Castell

       (eds.) J. Auman, T. Chadwick,  J. Dunn and D. Jaeckle</sub> 


^02/2017   <sub>‘Hotel #2’

1.     Holly Pester, ‘This big bit cradle’
2.     Wayne Koestenbaum, ‘#2 (elegant toplessness stoned in stairwell)’
3.     Mary Margaret Rinebold, ‘Beige’
4.     Linh Dinh, ‘No Soup for You’
5.     Ingo Niermann, ‘The Kappellmeister’
6.    Thom Andersen, ‘Statements’
7.     Julia Drescher, ‘Collages’
8.    Victoria Manifold, ‘Asleep’
9.    S.J. Fowler, Three Poems
         i.        ‘Truncatus Tractatus’
         ii.       ‘Fancy Thoughts’
         iii.      ‘I Called Ciara Allen’s Swamp Monkey for Years’
10.  Alice Butler, ‘A Love Letter to a Klepto’
11.  Will Eaves, ‘The Class of all Unthinkable Things’
12.  Nicole Mauro, ‘Superzer0ic’
13.  Amanda DeMarco, ‘Minor Episodes’
      & an epigram by Joshua T. Howell
               
         (eds.) J. Auman, T. Chadwick,  J. Dunn and D. Jaeckle</sub>


^06/2016   <sub>‘Hotel #1’
                
1.     Will Eaves, ‘Greenery’
2.     Jon Auman, ‘Two Introductions’
3.     Duncan White, selections from ‘Pink Icecream’
4.     Tyler Malone, ‘Sometimes he Left Messages in the Streets’
5.     Jane Yeh, selections from ‘The Ninjas’
6.     Erica Baum, ‘An Accumulation of Information...’
7.     Matthew Gregory, ‘Rooms’
8.     Eley Williams, ‘The Alphabet’
9.     Jess Cotton, ‘Notes on the Pink Hotel
        & an epigram by Mat Riviere
             
       (eds.) T. Chadwick,  J. Dunn and D. Jaeckle


^{07/2016 (& on...)}

        The-Rolling-Hotel-Archive

        A rolling archive of poems, prose-works, interviews essays and excerpts.
       
        See here for works in order of appearance.</sub>    


Tyrant Hotel

<sub>A magazine-for the-ears, co-edited with Jordan Castro.

Exacting something of a tribute to John Giorno’s “Dial-a-Poem” project (as 2018 marked its fiftieth anniversary), Tyrant Hotel sees literary outfits NY Tyrant and Hotel collaborate and collate unexpurgated readings and writings by authors and poets recorded straight to smartphone. 

Available on Apple podcasts here.</sub> 


^03/2019
        _{Tyrant Hotel #3 – ‘Mother Pig (Opposing Disneyland)’}

                <sup>See here; broadcast on Resonance 104.4 FM on March 12th, 2019

1.    Iain Sinclair, ‘Animal Drums’ [Prompt Note];
2.   Lily Hackett, ‘Seabird;’
3.   Brad Phillips, ‘Mom & Dad’ (Deleted Scenes);
4.   Frederic Tuten, ‘Rimbaud in the Kitchen;’
5.   Ashton Politanoff, ‘She had Wanted to be Closer to the Ocean;’
6.   Isabel Waidner, ‘War Crybabies;’
7.   David Keenan, ‘Bible Time;’
8.   Vi Khi Nao, ‘Human Camouflage;’
9.   SJ Fowler, ‘Animal Drums’ (Reprise)

10/2018</sup>   
        _{Tyrant Hotel #2 – ‘Thirty Aught Six’ [26.39]}

                <sup>See here

1.    Christalla Fannon, ‘Paper Thin Hotel’ (L .Cohen, 1977)—(an introduction);
2.    Scott McClanahan, ‘Nicky;’
3.    Juliet Escoria, ‘Roadkill’

09/2018</sup>
         <sub>Tyrant Hotel #1 – ‘Nicole Kidman vs. Apollo’ [55:01]

                See here; broadcast on Resonance 104.4 FM on October 4th, 2018

1.    Kristen Iskandrian, ‘I feel like Garbage’ (an introduction);
2.    Nicolette Polek, ‘The Rope Barrier;
3.    Kristen Iskandrian, ‘As I Lay (Imagining I’m) Dying;
4.    Luc Sante, ‘The Unknown Soldier;’
5.    Chelsea Hodson, ‘To a Duck in the Garden of Ninfa;’
6.    Wayne Koestenbaum, ‘thick book on mother-shelf ...;’
7.     Eley Williams, ‘Collect;’
8.    Kathryn Scanlan, ‘The Candidate’
             
         Tyrant Hotel #1 – ‘Literally Starving Ghost’ [30:13]
             
                 See here. 

1.    Kristen Iskandrian, ‘I feel like Garbage’ (an introduction);
2.    Nicolette Polek, ‘The Rope Barrier;’
3.    Kristen Iskandrian, ‘As I Lay (Imagining I’m) Dying;’
4.    Luc Sante, ‘The Unknown Soldier;’
5.    Chelsea Hodson, ‘To a Duck in the Garden of Ninfa’</sub> 

---

Education

_{PhD — ‘The Marketplace is the Louvre of the Common People:
              Culture & Capital in the Works of Ralph Waldo Emerson’
              Goldsmiths College, University of London
                                                                                    —2014 to present
MA —  ‘Modern Literary Theory,’
              Goldsmiths College, University of London—with Disinction
                                                                                    —2012 to 2013
BA  —  ‘English & American Literature,’ 
              Goldsmiths College, University of London—1st Class
                                                                                    —2009 to 2012}