Curriculum Vitae

_{Curriculum Vitae}

_{d.jaeckle@gold.ac.uk}
_{+44. (0)7532 128558}

_{partisanhotel.co.uk / tenementpress.com}

_Education

_{PhD ‘The Marketplace is the Louvre of the Common People:

Critical & Commercial Value Systems
in the Early & Late Writings of Ralph Waldo Emerson’

  Department of English & Creative Writing
      Goldsmiths College, University of London
—2014 to 2021

PGCERT Associate Fellow (Higher Education Academy)

Department of Education

Goldsmiths College, University of London

—2016

MA ‘Modern Literary Theory’ / ‘Comparative Literature’

Department of English & Comparative Literature
Goldsmiths College, University of London—with Disinction

—2012 to 2013

BA    ‘English & American Literature’

  Department of English & Comparative Literature

  Goldsmiths College, University of London—1st Class

—2009 to 2012}

_Publications

₁₂_/2021
_{36 EXPOSURES—Hoagy Houghton & Dominic Jaeckle

An allaetory roll of film collating 36 photographs [H.H.]

& 36 texts and prose poems [D.J.];

designed and typeset by Ana Baliza

(Dostoyevsky Wannabe, 2021)

See here.}

_{Tenement Press}

_{Founder & Editor & Publisher / Books & Broadcasts}

_{#8

Reza Baraheni,
translated from the French by Xavier Lesage

Lilith

Edited by D. Jaeckle
ISBN: 978-1-8380200-9-5

11o pp / 140 x 216mm
Designed and typeset by Traven T. Croves
May 2022

See here.

#7

Pier Paolo Pasolini,
translated from the Italian by Cristina Viti

La rabbia / Anger

(with an Introduction by Roberto Chiesi,

and an Afterword by John Berger)

Edited by D. Jaeckle
ISBN: 978-1-8380200-8-8

170 pp / 140 x 216mm
Designed and typeset by Traven T. Croves
December 2022

See here.

#6

Kyra Simone,

with photographs by John Divola

Palace of Rubble
Edited by D. Jaeckle
ISBN: 978-1-8380200-7-1

170 pp / 140 x 216mm
Designed and typeset by Traven T. Croves
October 2022

See here.

‡

Tenement Press presents SJ Fowler’s MUEUM
A work-for-the-radio to mark the publication of Fowler’s
debut novella, MUEUM, a four-part serialisation of the novella

recorded for broadcast with Resonance Extra

(produced by Dominic Jaeckle & Milo Thesiger-Meacham);

Fowler’s MUEUM was broadcast in monthly installments,

September 2022 through January 2023 ...

See here.

#5

Jeffrey Vallance,

A Voyage to Extremes / Selected Spiritual Writings
Edited by J. Auman & D. Jaeckle
ISBN: 978-1-8380200-5-7 705 pp / 140 x 216mm
Designed and typeset by Traven T. Croves
October 2022

See here.

‡

SJ Fowler & Eley Williams

BIG DOOM ABOVE ME : 45 MINUTES in SJ Fowler’s MUEUM

A work-for-the-radio to mark the publication of Fowler’s

debut novella, MUEUM, collaging and quilting found sounds,

field recordings, & readings from (and adjacent to) Fowler’s leaves.

64 minutes

(with an introductory exchange between Fowler and Williams)

First broadcast on Montez Press Radio

September 2022

See here.

#4

SJ Fowler,

MUEUM / A Novella

Shortlisted for the Republic of Consciousness Prize for Small Presses, ‘23
Edited by D. Jaeckle
ISBN: 978-1-8380200-6-4
149 pp / 140 x 216mm
Designed and typeset by Traven T. Croves
June 2022

See here.

‡

Pere Portabella,

Ona Balló Pedragosa,

Joan Brossa,

Jon Auman,

Lucy Mercer,

Joan Oliver (Pere Quart),

Stephen Watts,

Diamanda La Berge Dramm,

Dominic J. Jaeckle,

Salvador Espriu,

Agustí Bartra,

Aidan Moffat,

Francesc Vallverdú,

Harmony Holiday,

Gabriel Ferrater,

Stanley Schtinter

& Cameron Griffiths,

PRICE POETRY,

or THE LEFT VENTRICLE IN TIMES OF TROUBLE

A work-for-the-radio to commemorate the First Popular Festival

of Catalan Poetry, held at the Gran Price Theatre, Barcelona, 1970

Curated, collated & produced by D. Jaeckle,

in partnership with the Institut Ramon Llull & Films 59
60 minutes
First broadcast on Resonance 104.4 FM as a part of

the London Bookfair’s 2022 “spotlight” on Catalan Literatures programme.
April 2022

See here.

#3

Yasmine Seale & Robin Moger,}
_{Agitated Air: Poems After Ibn Arabi
Edited by Y. Seale & R. Moger (with D. Jaeckle)
ISBN: 978-1-8380200-4-0
149 pp / 140 x 216mm
Designed and typeset by Traven T. Croves
February 2022

See here.}

#2

_{Stanley Schtinter}_{, et al,

John Akomfrah,

Chloe Aridjis,

Dennis Cooper,

Laura Mulvey,

Chris Petit,

Mania Akbari,

Elena Gorfinkel,

Juliet Jacques,

Ben Rivers,

Dan Fox,

Sean Price Williams,

Adam Christensen,

Stewart Home,

Stephen Watts,

Tony Grisoni,

Gideon Koppel,

Astra Taylor,

Miranda Pennell,

Gareth Evans,

Adam Roberts,

Tai Shani,

Anna Thew,

Xiaolu Guo,

Andrea Luka Zimmerman,

William Fowler,

Athina Tsangari,

John Rogers,

Shama Khanna,

Shezad Dawood,

Damien Sanville,

Stanley (& Winstanley) Schtinter,

The Liberated Film Club
Curated & collated & edited by Stanley Schtinter;
with D. Jaeckle & J. Auman
ISBN: 978-1-8380200-3-3
408 pp / 140 x 216mm
Designed and typeset by Traven T. Croves
October 2021

See here.}

#1_{Joan Brossa}_{, El saltamartí / The Tumbler
Translated from the Catalan by Cameron Griffiths
Edited by C. Griffiths & D. Jaeckle

ISBN: 978-1-8380200-1-9
333 pp / 140 x 216mm
Designed and typeset by Traven T. Croves
April 2021

See here.}

_Writing(s)

_{08/2022
‘Hopscotch Translation’s 2022 Publisher’s Forum’

Writing on behalf of Tenement Press, alongside...

3 Times Rebel Press;

Bitter Oleander Press;

Dorothy (A Publishing Project);

Fitzcarraldo Editions;

Parthian Books;

Sublunary Editions;

Wakefield Press;
& World Poetry Books

published online via the digital revue,

Hopscotch Translation

01/2022
‘June 2nd (Veronica Lake, River Phoenix & Walden Pond)’

—Hoagy Houghton & Dominic Jaeckle

An excerpt from 36 EXPOSURES

published online, The London Magazine

10}_/2021
_{January 1st (Ruben A)’—Hoagy Houghton & Dominic Jaeckle

The opening pages of 36 EXPOSURES published online

FENCE BOOKS (New York)}

₁₀_/2021
_{‘A TABLE OF CONTENTS’

—Dominic Jaeckle & Polly Barton & Mason Lindahl & Matthew Shaw

The second of a triplicate that sees an unexpurgated reading and reconsideration
of texts from Jaeckle’s 36 EXPOSURES;

readings by Polly Barton & original music by Mason Lindahl & Matthew Shaw;

first broadcast on Resonance EXTRA (London), 05/10/21}
₀₉_/2021
_{‘MAGNOLIA OR REDBUD’—Dominic Jaeckle

A poem and installation—a cut-up collaginging material from

Laura Lee Burroughs’ works on flower arrangement for the Coca-Cola corporation...
commissioned for an exhibition at St Louis Lambert International Airport,

LONG VIEW (Curated by Marianne Laury), 09/21 ... 03/22}
₀₁_/2021
_{‘SHIPPING FORECAST’

—Dominic Jaeckle & Diamanda La Berge Dramm & Matthew Shaw

The first of a triplicate that sees an unexpurgated reading and reconsideration
of texts from Jaeckle’s 36 EXPOSURES;

readings by Diamanda La Berge Dramm & original music by Matthew Shaw;

first broadcast on Resonance EXTRA (London), 22/02/21}
₀₁_/2021
_{‘VERSE & CHORUS’—Nadia de Vries & Dominic Jaeckle

An exquisite corpse of cuts from de Vries’ I FAILED TO SWOON

& Jaeckle’s 36 EXPOSURES;

stitched together into place with found sounds & original music by Matthew Shaw;
with readings from (in order of appearance) ...

Nadia de Vries +

Cíntia Gil +

Diamanda La Berge Dramm +

Mark Lanegan +

Stanley Schtinter +

Vilde Valerie Bjerke Torset +

Becket Flannery;

first broadcast on Montez Press Radio (New York, New York), 29/01/21;

second broadcast, Rewire Festival (The Hague, The Netherlands), 05/21}
₁₁_/2020
_{‘ERGOSFERA’—Cíntia Gil & Dominic Jaeckle
(appearing as alguien más / Someone Else)

in ¿Qué será del cine? Postales para el futuro,
(eds.) Cecilia Barrionuevo & Marcelo Alderete, pp. 90-94.

A publication produced for Mar Del Plata Film Festival}

₀₇_/2020
_{‘February 3rd’—Hoagy Houghton & Dominic Jaeckle

An excerpt from 36 EXPOSURES

in prototype 2—An annual anthology of new writing, pp. 35-39.

(prototype, 2020)}

_02/2020
_{15oo Bridges
‘The World is a Mill ’ [after Angenor de Oliveira] /
‘All Day Long I Feel the Tide Rocking ’/
‘Pink Roses’ /}
_{in Dostoyevsky Wannabe Cities—Amsterdam, (ed.) Nadia de Vries, pp. 61-85.
(Dostoyevsky Wannabe, 2020)}

_07/2019
_{‘Adrian Sends me a Photograph ... ’}
_{An afterword to Adrian Bridget’s novel Treatment, pp. 170-184.
(Published and commissioned by the author, 2019)

07/2019

‘On Emblematic Stars & the Head of a Bull ... ’
—Versopolis
A piece-in-fragments for the online series ‘The Travelling Europe’,}

_05/2019
_{‘The Complicated Rings of Saturn’}
_{A text partnered with two paintings by Harley Lafarrah Eaves
(for an online exhibition called B-Sides)
—Rick Banger Gallery
—rickbanger.com}

_02/2019
_{‘On Entertainment’

—D.H. Lawrence: Technology & Modernity, pp. 203-217.
(ed.) Indrek Männiste (Bloomsbury, 2019)}_01/2019
_{‘(I’m Looking for a Model for a Novel) Public Domain’
A reading (by Jon Auman) of the monologue in full;
broadcast on Resonance 104.4FM’s ‘New Works for Radio’.}

_02/2018
_{‘Middleman’

—A Void #2 (Morbid Books, 2018)

From (I’m Looking for a Model for a Novel called) Public Domain

12/2017} _{Review 31 Fiction Roundup, 2017
—On Sam Riviere’s Safe Mode (Test Centre, 2017)

09/2017} _{‘The Ape of Intimation: A Fay Wray for every King Kong’
—Cob Gallery & Studio, London

Catalogue Essay

‘Jason Shulman: Some Works’
(29.09.17—21.10.17)}_09/2017
_{‘Bad Science’}_{—Cob Gallery & Studio, London

An interview with Jason Shulman
First published in Hotel #4; co-published by the gallery.

04/2017}
_{‘In Defense of Richard Kelly’s Southland Tales (2007)’

—Little White Lies
Published on the occasion of the film’s 10th Anniversary

12/2016} _{Review 31 Fiction Roundup, 2016.
On Alejandro Zambra’s Multiple Choice (Granta)

11/2016} _{‘American Caesar’

Some Associative Notes on Bruce Springsteen in a Big Sedan

—Minor Literature[s]

11/2016} _{‘Writing Letters to Lew’

—Minor Literature[s]
(Co-published by Cherry & Martin Galleries, Los Angeles, CA)
A broken-interview with self-proclaimed “photo-conceptualist” Lew Thomas

08/2016} _{‘Four Remarks of Color & A Yellow Crescent Moon’
—Centre for Contemporary Arts, Glasgow, Scotland
A comissioned prose-poem recorded for live radio-broadcast;
[A Radiophrenia project, curated by Hoagy Houghton]

07/2016} _{‘Fallen to the Rank of Adjective: On Benjamin Fondane’

—3:AM Magazine
On two new translations of old works by Benjamin Fondane...
i. Cinepoems & Others (New York Review Books, 2016)
ii. Existential Monday (New York Review Books, 2016)

07/2016} _{‘Avenue Montaigne’

—Minor Literature[s]
Excerpted from (I’m Looking for a Model for a Novel called) Public Domain}
_03/2016
_{‘The Reverse of Don Quixote’

—Nexus: The International Journal of Henry Miller Studies
Vol. XI., pp. 133-149.
(ed.) J. Decker

02/2016} _{‘Poor Quartets’

—3:AM Magazine
On Thomas Bernhard’s Goethe Dies (Seagull Books, 2016)}_12/2015
_{‘I Can Only Speak for Myself’

—3:AM Magazine
On Robert Walser’s Looking at Pictures (New Directions, 2015)

12/2015} _{Review 31 Fiction Roundup, 2015.
On Nathalie Léger’s Suite for Barbara Loden(Les Fugitives)

12/2015} _{‘Vicarious Autobiography’

—Review 31
On John Berger’s Portraits, ed. Tom Overton (Verso, 2015)

10/2015} _{‘Kant’s Tulips / Clarice’s Mystery’

—Review 31
On the Complete Stories (New Directions, 2015)

09/2015} _{‘Showing & Telling: Penetrating Fantasy’
—3:AM Magazine
On Brandon Hobson’s Desolation of Avenues Untold (CCM, 2015)}

_07/2015
_{‘Signalling Posterity: The Fiction Writer’s Journalism’

—Review 31
On Edouard Levé’s Newspaper (Dalkey Archive Press, 2015)}_12/2014
_{‘A Theatre of Others’

—Review 31
On Simon Critchley’s Memory Theatre (Fitzcarraldo Ed.,, 2014)

10/2014} _{‘Polymyth x. Miss Information’
—Autoitalia, London
Miss. Information; a multiple-personality, written by...
Ingo Niermann +
Mercedes Bunz +
Lucy Chinen +
Shama Khanna +

Mary Margaret Rinebold +

Michael Schindhelm +
Jenna Sutela +
& Zing Tsjeng
[Soudtracked by Pierre LX]
The exhibition was curated by Autoitalia & Justin Jaeckle

Works by...

April Greiman +
Pablo Jones-Soler +
Metahaven +
Holly Herndon +

Pinar & Viola}
_03/2013
_{‘Wild Rabbit: Henry Miller’s Ekphrastic Anxiety’}_{—Nexus: The International Journal of Henry Miller Studies
Vol. X., pp. 3-31, (ed.) J. Decker}_03/2012
_{‘The Cosmological Eye & the River Through}_{’

—Nexus: The International Journal of Henry Miller Studies
Vol. IX., pp. 65-81, (ed.) J. Decker

11/2011} _{‘Goodnight you Dogs’ [EP]

—Four sentimental songs,

released digitally by A Future Without}

_{Research,
Readings,
et Cetera...}

_{01/2023

Tenement Press presents Pier Paolo Pasolini’s La rabbia / Anger

An evening to mark and celebrate a publication

of the Tenement edition;
reading alongside translator Cristina Viti,

with introductions from Katia Pizzi and Gareth Evans

—The Italian Cultural Institute, London

12/2022

Writer’s Kingston / #58

An evening celebrating the work of poet Stephen Watts;
reading alongside Watts,

Cristina Viti,

Rory Cook,

SJ Fowler,

Adriana Diaz Enciso,
Chris Gutkind,

& Vicki Kaye

—Kingston University, Townhouse, London

10/2022

Tenement Press at the Small Publisher’s Fair

An afternoon reading from Tenement’s titles of MMXXII;

SJ Fowler, reading from MUEUM (Tenement #4);
Kyra Simone, reading from Palace of Rubble (Tenement #6);

Cristina Viti, reading from Pier Paolo Pasolini’s La rabbia / Anger (Tenement #7)

—Conway Hall, London

10/2022

MUEUM Hours

An evening celebrating Tenement’s 2022 publication of

SJ Fowler’s debut novella, MUEUM, featuring readings from Fowler,

Iain Sinclair +

Chloe Aridjis +

Chris McCabe

(with introductions by Gareth Evans).
—Brick Lane Bookshop, London

10/2022

Launching Kyra Simone’s Palace of Rubble

& Emmalea Russo’s Confetti

An evening celebrating Tenement’s 2022 publication of

Simone’s collection, Palace of Rubble, & Russo’s Confetti (Hyperidean Press),

with readings from (& conversations between),

Kyra Simone +

Emmalea Russo +

Daniel Poppick
—McNally Jackson (Seaport), New York

04/2022

ON Yasmine Seale & Robin Moger’s Agitated Air : Poems After Ibn Arabi

An online event to mark and celebrate Tenement’s 2022 publication

of Yasmine Seale & Robin Moger’s collaborative collection, Agitated Air,

with readings from (& conversations between),

Yasmine Seale +

Robin Moger +

Marina Warner +

Beatrice Bottomley
—The Warburg Institute, University of London

11/2021}

_{After Joan Brossa’s Tumbler

An evening celebrating Tenement’s 2021 publication of

Joan Brossa’s El saltamartí / The Tumbler

(translated from the Catalan by Cameron Griffiths),

featuring readings and reminiscences from;

Cameron Griffiths +

John London,

and a reading of a new, commissioned work from Stephen Watts,

in response to Brossa’s writings and contexts.

—The Centre for Catalan Studies / Queen Mary, University of London

10/2021

The Liberated Film Club

An evening celebrating Tenement’s 2021 publication of Stanley Schtinter’s

edited anthology The Liberated Film Club, featuring an introduction

by Stephen Watts ahead of a screening of

Twilight (1990), a film directed by György Fehér.
—Close-Up Film Centre, London

02/2020}^{_{Amsterdam—Dostoyevsky Cities—Vitamin D

Dostoyevsky Wannabe Intervention
Reading alongside Christodolous Makris +

Lucia Dove +

Diamanda Dramm +

Helena Grande +

Divya Nadkarni
to celebrate the publication of (editor) Nadia de Vries,

Amsterdam (Dostoyevsky Wannabe, 2020)

—Splendor, Amsterdam}}
_02/2020
^{_{I will show you the life of the mind (on prescription drugs)

Dostoyevsky Wannabe Intervention
Reading alongside Christodolous Makris +

Jessica Sequeira +

Russell Bennetts +

Paul Hawkins +

SJ Fowler
to celebrate the publication of Fowler’s collection

I will show you the life of the mind (Dostoyevsky Wannabe, 2020)

—Toriano Meeting House, London}}_02/2020
^{_{I will show you the life of the mind (on prescription drugs)

Dostoyevsky Wannabe Intervention
Reading alongside Christodolous Makris +

Jessica Sequeira +

Andrew Hodgson +

James Davies +

Russell Bennetts +

Paul Hawkins +

SJ Fowler
to celebrate the publication of Fowler’s collection

I will show you the life of the mind (Dostoyevsky Wannabe, 2020)

—Rich Mix, London}}^10/2019
_{this is no longer entertainment

Dostoyevsky Wannabe Intervention
Reading alongside Colin Herd +

Nadia de Vries +

Joanna Walsh +

Christodolous Makris
to celebrate the publication of Makris’ collection

this is no longer entertainment (Dostoyevsky Wannabe, 2018)

—The Workman’s Club, Dublin}

^10/2019
_{Reading (with Nadia de Vries)

—DCU, Dublin}

^06/2019
_{Afterlife of the Object

—European Summer School in Cultural Studies
Convened by Carol Mavor & Rune Gade}
_{(I’m Looking for a Model for a Novel called) Public Domain’
Video Essay

—University of Copenhagen}

^o6/2019
_{The Balassi Institute Hungarian Literature Series: On Attila József}
_{A collage reading}_{with Serena Braida & Han Smith

—The Hungarian Cultural Instute, London}
^05/2019
_{All Day Long I Feel the Tide Rocking

A response to the works of Erich Fried}
_{A commissioned piece for the Illuminations series:

(VI): Celebrating Seven Anglo-Austrian Writers of the Twentieth Century
—Austrian Cultural Forum, London}

^02/2019
_{January 1st
A collaborative photo-text by D. Jaeckle & H. Houghton}
_{‘Phoetry/Poetography/Photographic Literature’ [An Exhibition]

The Museum of Futures / Kingston Writer’s Centre, London
A group show curated by SJ Fowler}_{[February 21st to March 5th 2019]}
^02/2019
_{Speech Acts for Resonance

Reading from ‘I’m Looking for a Model for a Novel Called Public Domain’

A fundraiser for the radio station Resonance 104.4FM

— Iklektik Art Lab, London
Alongside readings from...

Rachael Allen +
Edward Doegar +

Rakaya Esime Fetuga +

Liliane Lijn +

Abondance Matanda +

Martha Sprackland +

Tony White}

^01/2019
_{Literary Laboratory

Agustín Fernández Mallo +

Thomas Bunstead + Isabel Waidner} _{Readings & a Roundtable

Hotel (with The Goldsmiths Writer’s Centre & Goldsmiths Prize)

—Goldsmiths College, University of London}
^11/2018
_{On ‘Hotel’}
_{Lecturette and Seminar Discussion

—University of Nottingham}
^05/2018
_{‘Fictions’—Adrian Bridget in Conversation}
_{A conversation with the author

[Alongside readings from his first fictions, Texts that shouldn’t be Read Out Loud]}
_{—South London Gallery, London}^12/2017
_{Chasing America: American Art & Text

Real Estate: Place & Possession in the Thoreauvian Wild

Video Essay

—The Courtauld Institute of Art, London}
^11/2017
_{Borders of the Visible: Literature & Photography

Real Estate: Place & Possession in the Thoreauvian Wild

Video Essay

—Centro Arti della Modernità, Turin}

^10/2017
_{H.D. Thoreau from Across the Pond

Real Estate: Place & Possession in the Thoreauvian Wild

Video Essay

—École Normale Supérieure de Lyon}^08/2017
_{Hotel, Little Island Press & Locomotrix present...}
_{Readings to launch Lish’s White Plains: Pieces & Witherlings...
Claire-Louise Bennett +

Will Eaves +

David Hayden;
& a pre-recorded lecturette from Gordon Lish.
[Chaired by David Winters]
Housman’s Radical Booksellers, London}^06/2017
_{Ecology, Economy, & Cultures of Resistance}
_{Reebok Classic: A Short Film about Emersonian Inequality

Video Essay

IASH, University of Edinburgh}^02/2017
_{The Billboard Hot 100}_{A one-day installation of projected poetry.
Collage works based utilizing ranking songs on the “Billboard Hot 100”}
_{[With the artist Joshua T. Howell, for the group show G-Cadd #9]

—Granite City Art & Design District, Granite City, IL, U.S.A.}

^01/2017
_{Visual Pleasure(s): Acts of Looking in Critical Cultures}
_{A day of papers and screenings on the works of Laura Mulvey
Keynote:

Laura Mulvey
Screenings:
‘Amy!’ dir. Laura Mulvey & Peter Wollen (1980) +

‘Crystal Gazing’ dir. Laura Mulvey & Peter Wollen (1981)

[Introduced by Laura Mulvey and Oliver Fuke]

Goldsmiths College, University of London}^11/2016
_{On ‘A Handful of Dust’
David Campany in conversation
Goldsmiths College, University of London}^09/2016
_{‘Riddles of the Sphinx’

dir. Laura Mulvey & Peter Wollen (1977)}
_{A screening, introduced by Laura Mulvey
—Goldsmiths Literature Seminar / Curzon Goldsmiths,

Goldsmiths College, University of London} ^06/2016
_{‘Film Philosophy ‘16’}_{Three Iterations of an American Tragedy
Video Essay
—University of Edinburgh}^04/2016
_{‘Art—Money—Crisis’} _{‘

The Cultural Logic of Capital: Emerson, Literature & Circularity
A collaborative paper presentation with Benjamin Pickford

—CRASSH, University of Cambridge}
^04/2016
_{BAAS/IAAS Annual Conference, 2016

The Singer Outdistances the Song: Emerson’s Ready-Made

Video Essay

BrANCA Panel

—Queen’s University, Belfast}^03/2016
_{Questions of Scale in Contemporary Criticism}_{‘

Cultures of Efflux: Emerson’s Critical Paleonomies

—Ghent University, Belgium}^11/2015
_{BrANCA Annual Symposium

Emerson’s Awkward Imitation
‘Capital’ Panel
—University of Warwick}^04/2015
_{BAAS Annual Conference
How do you Contain Yourself? Emerson’s Photometry
Video Essay/BrANCA Panel

University of Northumbria, Newcastle}^03/2015
_{Lit Live, at The Peckham Pelican
Readings from I’ll be Stahr and You be Kathleen}^09/2014
_{A Gob of Spit in the Face of Art‘

Thoreau was an Atlas or Responding to the Hummingbird
Video Essay
—Goldsmiths College, London}^09/2014
_{The Expanded Lyric‘

A Canary in the Mine: Marilyn Monroe’s Biographic Poetics

—Queen’s University, Belfast}

_Hotel

_{partisanhotel.co.uk—‘A magazine for new approaches to fiction, non-fiction and poetry.’

Founder & Editor & Bellhop}

_{The Paper Hotel}

_{An occasional pubilcation / a run of paper “rooms”}

^05/2021

_{Hotel #7}

_{Adrian Bridget, ‘Scenes from a Relationship with Images’
Antonio Tabucchi, trans. Elizabeth Harris, ‘The Heirs are Grateful’
Helena Gomà, ‘Casa l’Àvia’
Nadia de Vries, Six Poems
‘Come to My Cremation’
‘Dominion Piece’
‘Puppy Season’
‘My Surfaces, My Services’
‘The Emperor’s New Noose’
‘None of My Powers are Secret’

Josef Winkler, trans. Adrian Nathan West,

‘Only With the Seeds of the Apple’s Core’
Greg Tate, ‘Alterd Spaydes, Fables of Harlem

    & the Quantum Black Mutation Movement’
Helen Cammock, (excerpts from) IDLEWILD
Frederic Tuten & Andrzej Żuławski,

      A cut from an unmade film, THE INVISIBLES

Lily Hackett, ‘Bad Animal’
Percival Everett, ‘The Last Heat of Summer’
Alisha Dietzman, Three Poems
‘GOSHA RUBCHINSKIY x THE POEM’
‘LOVE POEM BY TRAIN LIGHT’
‘LOVE POEM BY THE LIGHT OF THE DOCUMENTARY
   —HOLY GHOST PEOPLE / ARS POETICA’
Joan Brossa, trans. Cameron Griffiths, Six Poems

Retrat literari’ / ‘Literary Portrait’
Pastures / ‘Pastures’
Cal·lígraf / ‘Calligraphy’
Punts suspensius / ‘Ellipses’
Buit de poder / ‘Vacuum of Power’
Disseció / ‘Dissection’
Manuela Moser, Three Poems (Clementine & Harriet)

‘Well, I’m not sure, what are you bringing to the party’
‘I manage to leave the art gallery unnoticed...’—
‘We thought to call it a collaboration’—

Sam Riviere, Five Pages
‘Bob’s Jacket’
‘Bono Vox’
‘Bernhard Quotes’
‘Slavoj Žižek’
‘Fuck the Beginning’

Yasmine Seale, ‘Six (of a thousand-and-one) pages’
Jeffrey Vallance, ‘Yahweh to Yahoo:

Trying Not to Break the Third Commandment’

Raul Guerrero, Nine Pages
‘I travelled to Spain ...’
‘This is written to you ... ’
‘Inglewood, CA ... ’
‘San Gabriel Etla ... ’
‘Rarotonga ... ’
‘Look out the window, see the beautiful ... ’
‘Desire is the evil that persuades to not suceed in our life ... ’
‘To Many / To many things to do ... ’
‘The dream had no end ... ’
Mark Lanegan, Eight Poems
‘Axiom’
‘Leveraged’
‘Black Rabbit’
‘In a Volcanic Field’
‘She’
‘Sun in Scorpio’
‘Disproven Theory’
‘Imaginary Ballet’

Rebecca Jagoe, ‘IT IS PROVEN’
—Illustrated by Maud Whatley

Adrian Nathan West, ‘In Friesland’
Daniel Pellizzari, trans. Rahul Bery, ‘The world as it is, the living as they are’

Matthew Shaw, Five Poems
‘Shell ...’
‘Found ... ’
‘Spells ... ’
‘Time ... ’
‘Medicine ... ’

Sam Buchan-Watts, Five Poems / TABLEAUX
‘Coulisse’
‘Cornice’
‘Conus’
‘Onus’
‘Prompt’

Nathan Salsburg, et al, LOMAXIANA

in which Salsburg goes digging in the Alan Lomax Archives

with Willard Watson,

Bessie Jones,

Big Bill Broonzy,

Margaret Barry

& Eddie Sanger

Hélène Gaudy, trans. Jeffrey Zuckerman, ‘An Island / A Fortress’

Stephen Watts, ‘Light-Space: Diary Entries for Giuseppe Penone’s Felled Tree’

David Grubbs, ‘Good night the pleasure was ours’

& an epigram from Lucy Sante

(eds.) J. Auman and D. Jaeckle}

^04/2020

_{Hotel #6}

_{Glykeria Patramani, ‘The Hare’
Imogen Cassels, Four Poems
‘Felicity’
‘Two types of the same return’
‘Moss’
‘Sketch for a’

Will Oldham, Seven Pages

Diego Fonseca, trans. Ellen Jones, ‘Noise: Silence’
Hao Guang Tse [謝皓光],

‘This morning I woke up with a quick laugh like the sun’

Geoffrey Mak, ‘Edgelords’
Astrid Alben, Five Poems
‘Collateral Damage’
‘The First People’

—for Marlene Dumas
‘Coping Strategies’
‘Words to Say it’
‘And God Became a Monkey’

—for Hannah Höch

Nathan Dragon, ‘Nebraska’
Sarah Boulton, ‘Three Pages’
Sascha Macht, trans. Amanda DeMarco, ‘Five Columns’
Hannah Regel, Four Poems
‘Making Sausages’
‘Mermaid Outing’
‘Butterfield’
‘Marissa’

Andrew Lampert, ‘Twenty-Three and Me’
Lotte LS, ‘Synapses, Between’
Amanda DeMarco, ‘Other People’
Franz Kafka, in a translation of extant translations by OxOa,

‘The Translation’
Hannah Williams, ‘Nacre’
Jen Calleja, ‘A Questionnaire’
—an excerpt from a work-in-progress called THE ISLETS
Cass McCombs, Two Poems
‘A Public Mural’
‘The Truckdriver and Malverde’
Rachel Genn, ‘Dreamy Idiotic Visions of the Future’
Emmanuelle Pagano, trans. Sophie Lewis & Jennifer Higgins,

‘The Automatic Tour Guide’

Lauren Elkin, ‘Silent B’
Clemens Meyer, trans. Katy Derbyshire, ‘The Return of the Argonauts’

& an epigram from the Wayne Koestenbaum papers

(eds.) J. Auman, T. Chadwick and D. Jaeckle}

_^02/2020

_{25 Rooms}

_{—Editor (with J. Auman and T. Chadwick)

A collation of 25 prose works and poems from Hotel’s rolling online catalogue

(Co-published by Hotel and Dostoyevsky Wannabe).}

_{Rainald Goetz

(translated by Adrian Nathan West);

Kristín Ómarsdóttir

(translated by Vala Thorodds);

John Holten;

Leah S. Dworkin;

Lucy Sante;

Emma Mackilligin;

Kyle Coma-Thompson;

Gareth Evans;

Lauren Dostal;

Molly Gunther;
Joanna Rafael Goldberg;
Helen Charman;
Jessica Bonder
Rowan Evans;
Jonathan Chandler;
NJ Stallard;
Anne Michaels;
Jack Goldstein;
Anna Cathenka;
A.K. Blakemore;
Luke Kennard;
Adrian Bridget
Jess Cotton
Sam Weselowski
Nina Powles;

& an epigram from James R. Hugunin}

_^02/2019

_{Detour/Détours}

_{—Editor

(with Cécile Menon; & co-published by Hotel and Les Fugitives)

A collection of newly commissioned texts and translations on-&-around

the subject of ‘debt’ (supported by the Institut Universitaire de France)

Featuring works by ...

Noémi Lefebvre

(translated by Sophie Lewis and Natacha Lasorak);

Lauren Elkin;

Mathieu Larnaudie

(translated by Adrian Nathan West);

Selma Dabbagh;

Preti Taneja;

Sandra Lucbert

(translated by Jessica Spivey);

Jen Calleja;

Nicolas Bouyssi

(translated by Amanda DeMarco);

Joanna Walsh;

Thomas Clerc

(translated by Jeffrey Zuckerman)}

^02/2019

_{Hotel #5}

_{Isabel Galleymore, Two Poems
‘Spirit Animal’
‘The Future Tense Expresses a State that Does Not Yet Exist’

Aidan John Moffat, ‘Timeshare’
Georgia Haire, Two Poems
‘Washed Up’
‘Dark Meat’

Hélène Fréderick, trans. Jacob Siefring, ‘Tooth & Nail: A Credit History’
John Divola, ‘As Far as I Could Get’
Ralf Webb, Two Poems
‘Now I Really Am O.K.’
‘Travelling Alone is my Favourite Sickness’

Ryūnosuke Akutagawa (芥川龍之介―澄江堂主人),
trans. Ryan C.K. Choi, ‘In Karuizawa’ (circa 1925)

Carla Maliandi, trans. Frances Riddle, ‘vreadthecastlesbeautiful’
Jenny Hval, trans. Marjam Idriss, ‘The Lighthouse’
Noémi Lefebvre, trans. Natacha Lasorak & Sophie Lewis,

‘Doubts About Debt’
John Holten & Jonathan Monk, ‘A Number of Points Randomly Connected...’
Rachel Kass, ‘Babi Yar’
Nicolette Polek, ‘The Rope Barrier’
Raul Guerrero, ‘Menu of the Future’
Daisy Larfarge, ‘Throttle Song’
Joshua Cohen, ‘(Nine Notes from) A Diary’
Jack Underwood, Three Poems (after Mascha Kaléko)

‘Lovesong for Mascha’
‘In Mascha’s Room Plus Melancholy’
‘Last Song Mascha’
Stanley Schtinter, ‘We Have Come to Let You Out’
Lucy Mercer, Four Poems
‘Chirologia’
‘Divination’
‘Demiurge’
‘Zero’

Ariana Reines, A piece of ‘Miss St’s Hieroglyphic Suffering’
P. Adams Sitney, ‘The Narrative Voice of Moby-Dick’
—A Distillation of Prof. Meanie’s Discours

John L. Saul, ‘Not Being Leonardo Da Vinci’
Jeffrey Vallance, a scatological eschatology called ‘Holy Shit!’
Sophie Seita, an excerpt from a work-in-progress called ‘The Gracious Ones’
—A Philosophical Ballet in Pieces
Agustín Fernández Mallo, trans. Thomas Bunstead,
—illustrated by Pere Joan, ‘That’s It?’
SJ Fowler & Iain Sinclair, ‘(After) Animal Drums’

& an epigram by photographer Sandro Miller

(eds.) J. Auman, T. Chadwick and D. Jaeckle}

^05/2018

_{Hotel #4}

_{Rebecca Tamás, ‘St. Joan in Idaho’
Lucy Sante, ‘Dear Messiah’

John Yau, ‘Fortunes, Favorite Sayings & Assorted Sundries’

David Kishik, ‘Terms of Service’

Scott McClanahan, ‘Sarah #3’

Pascal Richmann, trans. Amanda DeMarco, ‘Smoke of the World’

James R. Hugunin, ‘(Verbal Translations of) Famous Photographs’

Nona Fernández, trans. Ellen Jones, ‘Mapocho’

Jason Shulman, ‘Bad Science’ (the Artist in Conversation)

Bill Callahan, ‘Thirteen Letters to Emma’

Oliver Goldstein, ‘The Virgil Hunter Love Sequence’

Leah Sophia Dworkin, ‘Tuesday at Six?’

Vala Thorodds & Richard Scott, ‘Come (after Paul Verlaine)’

Iris Smyles, ‘Phillip & Penelope in a Variety of Tenses’
Serena Braida & Livia Franchini, Three (Reactive) Poems

‘On Complicity’
‘Cha-Cha’
‘Your Mouth’
Veronica Scott Esposito, ‘Rothko Chapel’
Daniele Pantano, ‘Twilight of the Poet’
Hisham Bustani, trans. Maia Tabet, ‘Quantum Leap’
Carol Mavor, ‘Like Water in Water’
Mark Kozelek, ‘Yellow Kitchen’
David Lowery, ‘A Housewarming Party’
Joanna Rafael Goldberg, ‘Moonlet’

& an epigram by “Britain’s Most Isolated Cartoonist,”

Jonathan Chandler

(eds.) J. Auman, T. Chadwick, J. Dunn and D. Jaeckle}^06/2017

_{Hotel #3}

_{Martin Jackson, ‘It’s really very easy to do these days ... ’
Nick Cave, ‘Four Cities’ (Selections from The Sick-Bag Song)

Duncan White, ‘After the Crash’
Juliet Escoria, ‘West Virginia to New York’
Jasmine Parker, ‘Mass-Produced Poetry’
Hanya Yanagihara, in conversation with Holly Brown
Kim Sherwood, ‘Travelling in Grey Space’
Gordon Lish, Four Stories

‘Didn’t we just Hear Something Humanish Fall?’
‘Joke-Time, or that other word, Jape’
‘Make Night : Heidegger’
‘Bamford or Bust!’
Rowan Evans, Four Poems
‘Ithaca’
‘Seventy Two’
‘Tourist Song’
‘Hyrule Theory’
Owen Booth, ‘The War’
Frederic Tuten & José Antonio Suárez Londoño, ‘July’
Imogen Reid, ‘Waiting Rooms’
Mark Kozelek, ‘Common as Light and Love are Red Valleys of Blood’
Jack Robinson, ‘Eternal City’
Aram Saroyan, ‘Initiator’

& an epigram by artist Olivier Castell

(eds.) J. Auman, T. Chadwick, J. Dunn and D. Jaeckle}^02/2017

_{Hotel #2}

_{Holly Pester, ‘This big bit cradle’
Wayne Koestenbaum, ‘#2 (elegant toplessness stoned in stairwell)’
Mary Margaret Rinebold, ‘Beige’
Linh Dinh, ‘No Soup for You’
Ingo Niermann, ‘The Kappellmeister’
Thom Andersen, ‘Statements’
Julia Drescher, ‘Collages’
Victoria Manifold, ‘Asleep’
SJ Fowler, Three Poems
‘Truncatus Tractatus’
‘Fancy Thoughts’
‘I Called Ciara Allen’s Swamp Monkey for Years’

Alice Butler, ‘A Love Letter to a Klepto’
Will Eaves, ‘The Class of all Unthinkable Things’
Nicole Mauro, ‘Superzer0ic’

Amanda DeMarco, ‘Minor Episodes’

& an epigram by Joshua T. Howell

(eds.) J. Auman, T. Chadwick, J. Dunn and D. Jaeckle}^06/2016

_{Hotel #1}

_{Will Eaves, ‘Greenery’

Jon Auman, ‘Two Introductions’
Duncan White, selections from ‘Pink Ice Cream’
Tyler Malone, ‘Sometimes he Left Messages in the Streets’

Jane Yeh, selections from ‘The Ninjas’
Erica Baum, ‘An Accumulation of Information...’
Matthew Gregory, ‘Rooms’
Eley Williams, ‘The Alphabet’
Jess Cotton, ‘Notes on the Pink Hotel’

& an epigram by Mat Riviere

(eds.) T. Chadwick, J. Dunn and D. Jaeckle

^{07/2016 ( & on.. .)}}

_{The-Rolling-Hotel-Archive}

_{A rolling archive of poems, prose-works, interviews essays and excerpts.

See here for works in order of appearance.}

_{Tyrant Hotel}

_{A short-lived magazine-for the-ears, co-edited with Jordan Castro.
Something of a tribute to John Giorno’s “Dial-a-Poem” project (as 2018 marked its fiftieth anniversary).
Tyrant Hotel sees literary outfits NY Tyrant and Hotel collaborate and collate
unexpurgated readings and writings by authors and poets recorded straight to smartphone.

See here.

Available on Apple podcasts here.}^03/2019_{Tyrant Hotel #3 – ‘Mother Pig (Opposing Disneyland)’ [61:05]}

^{Broadcast on Resonance 104.4 FM on March 12th, 2019}
^{Iain Sinclair, ‘Animal Drums’ [Prompt Note]
Lily Hackett, ‘Seabird’
Brad Phillips, ‘Mom & Dad’ (Deleted Scenes)
Frederic Tuten, ‘Rimbaud in the Kitchen’
Ashton Politanoff, ‘She had Wanted to be Closer to the Ocean’
Isabel Waidner, ‘War Crybabies’
David Keenan, ‘Bible Time’
Vi Khi Nao, ‘Human Camouflage’
SJ Fowler, ‘Animal Drums’ [Reprise]

10/2018}
_{Tyrant Hotel #2 – ‘Thirty Aught Six’ [26.39]}
^{Christalla Fannon, ‘Paper Thin Hotel’ (L .Cohen, 1977)—(An introduction);
Scott McClanahan, ‘Nicky’
Juliet Escoria, ‘Roadkill’

09/2018} _{Tyrant Hotel #1 – ‘Nicole Kidman vs. Apollo’ [55:01]}

_{Broadcast on Resonance 104.4 FM on October 4th, 2018}

_{Kristen Iskandrian, ‘I feel like Garbage’ (an introduction)

Nicolette Polek, ‘The Rope Barrier’
Kristen Iskandrian, ‘As I Lay (Imagining I’m) Dying’
Luc Sante, ‘The Unknown Soldier’
Chelsea Hodson, ‘To a Duck in the Garden of Ninfa’
Wayne Koestenbaum, ‘thick book on mother-shelf ...’
Eley Williams, ‘Collect’
Kathryn Scanlan, ‘The Candidate’}

•

_{Tyrant Hotel #1}_{– ‘Literally Starving Ghost’ [30:13]

Kristen Iskandrian, ‘I feel like Garbage’ (an introduction)
Nicolette Polek, ‘The Rope Barrier’
Kristen Iskandrian, ‘As I Lay (Imagining I’m) Dying’
Lucy Sante, ‘The Unknown Soldier’
Chelsea Hodson, ‘To a Duck in the Garden of Ninfa’}

_{Editorial (with Others)}

^{2022/ Present}_{(Freelance Proofreader)}_{—Fitzcarraldo Editions, London}

^11/2019_{Mark Kozelek, Nights of Passed Over II

—Lyrics, 2010-2019

Editor (with Mark Kozelek)
—Caldo Verde Records, San Francisco}

^07/2019_{Adrian Bridget, Treatment: A Novel}_{Editor (with Christophe Chauvet)}

^07/2018_{(Project Editor)}_{—Architectural Association, London}

_Teaching

^{2017 / 2021}_{Associate Tutor : Seminar Leader

Modern American Fiction

Department of English & Creative Writing
—Goldsmiths College}_{, University of London}